Visit our new group on the Facebook: Common Heritage of the Western Balkans Interwar Music
Posetite nasu novu grupu na Facebooku: Common Heritage of the Western Balkans Interwar Music
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Wednesday, June 25, 2008
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Visit our new group on the Facebook: Common Heritage of the Western Balkans Interwar Music
Posetite nasu novu grupu na Facebooku: Common Heritage of the Western Balkans Interwar Music
http://www.facebook.com
Visit our new group on the Facebook: Common Heritage of the Western Balkans Interwar Music
Posetite nasu novu grupu na Facebooku: Common Heritage of the Western Balkans Interwar Music
http://www.facebook.com
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International Student Symposium
WESTERN BALKAN INTERWAR MUSIC AND ITS EUROPEAN CONTEXT
On behalf of the musicology students at the Faculty of Music in Belgrade, I invite you to participate in the student symposium entitled Western Balkan Interwar Music and Its European Context. The symposium will be held in Belgrade, Serbia, 8–9 December 2008. Although the subject of the symposium is centred on the questions of music in the Western Balkans between (and during) the world wars (1914–1945), we also encourage and welcome all papers that will help to enlighten its European context. The student symposium is not restricted to musicology students only but is open to all students dealing with the questions of music praxis as well as the role of music in culture. The official languages of the symposium will be BCS (Bosnian-Croatian-Serbian) and English.
The student symposium is a part of the manifestation Days of the Western Balkan Interwar Music and the participants will also have the opportunity to attend the reconstructions of concerts held in Belgrade in the years of 1926 and 1936, partly based on thus far unpublished material and on the archive sources.
The interwar period is known to have been a very prolific time in the history of music when many different musical styles and cultures developed and coexisted. As most of the Western Balkans was incorporated into one state (the Kingdom of Serbs, Croats and Slovenes, i.e. the Kingdom of Yugoslavia) and heavily influenced by the European mainstreams, it has proven impossible to fully investigate the problems of the social context of interwar music without broadening the perspectives of national scholarly discourses. Furthermore, as an issue shared by music students throughout the Western Balkans, this subject can be an appropriate starting position for further continuous communication and exchange of knowledge.
The structure of the symposium will encompass two types of presentation: standard separate papers and panel discussions. Separate papers can be read either in English or in BCS. Each presenter of the separate papers will have 20 minutes for the paper followed by 10 minutes for discussion. The issues we are especially interested are:
- Discourse on music in the interwar period
The questions of musicological and ethnomusicological discourse, as well as the discourse of music critique and other discourses on music. The reception of music.
- Music and institutions
Music institutions, including the institutions of musical education. Musician in the social institutions. The role of institutions in the production of music.
- Music and politics
The place and role of music in the structures of power in the society. Cultural politics and music.
- Music and identity
The role of music in the construction of national, class, gender and other identities.
- Popular music in the interwar period.
- The technology of (re)production of music
The influence of new technologies on the production and reproduction of music. Music and new media. Music and film.
- Music and everyday life
The place of music in everyday life. Music and social groups.
The panel discussions will be organised on the predetermined subjects, in one of the official languages of the symposium. Each participant in the panel discussion will have 5–10 minutes for presentations followed by discussion led by the moderator. The students having separate papers can also participate and one participant can take part in several panel discussions. The panel discussion will be organised if at least four participants apply. We suggest these subjects for the panel discussions:
1. Music in the Project of Creating the Yugoslav Nation (BCS)
2. Music and the Axis Powers (English)
The influence of Nazism and Fascism on music in the interwar Europe. Music in Nazi Germany and Fascist Italy. Music in the occupied areas during the Second World War.
3. Social Context of Symphonic Music in the Kingdom of SCS/Yugoslavia (BCS)
4. Jazz in the Interwar Europe (English)
The spreading of jazz music in the interwar Europe. The political context and interpretations of jazz music. The influence of jazz on art music.
If you are interested in participating in our symposium, please submit a proposal (including your personal data, such as name, surname, affiliation, contact) and an abstract (up to 300 words for standard separate papers; up to 100 words for each presentation within panel discussion) to the above mentioned e-mail address. The proposals and abstracts should be sent not later than September 30th, 2008. The notification of acceptance will be sent not later than October 15th. The selected papers presented at the conference will be published in a volume of proceedings.
We sincerely hope that you will be able to join us and help us to realize this symposium successfully!
Srdjan Atansovski
Student-coordinator of the project
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Student-coordinator of the project:
Srdjan Atansovski, a student of musicology, School of Music in Belgrade
Coordinator and supervisor: Dragan Jeremic
-Molnar, Ph.D., assistant professor, School of Music in Belgrade
Program Committee:
mr Ivana Ilic, Belgrade Vesna
Rozic, Zagreb
Srećković Biljana, Belgrade
Nina Čalopek, Zagreb
Tjasa Ribizel, Ljubljana
Srdjan Atanasovski, Belgrade
Organising Committee:
Srdjan Atanasovski
Jelena Gudović
Artistic Committee:
Goran Marinkovic, MA, associate professor
Harbour Critic student of composition
Bratislav Prokić, a student of conducting
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Call for papers Call for papers Committees
International Student Symposium
Western Balkans Interwar Music and its European context
On behalf of musicology students of the Faculty of Music in Belgrade, it is an honor to invite you to participate in a set of music in the Western Balkans and its European context. The symposium will be held in Belgrade, from 8 to 9 December 2008. Theme of the meeting centered on the questions of music in the Western Balkans, but they are welcome and papers that will help to elucidate its European context. The set is limited to students in musicology, but is open to all students who are engaged in the practice of music and the role of music in culture. The official languages of the symposium will be BCS (Bosnian-Croatian-Serbian) and English.
symposium will be held during the Days of music in the Western Balkans, and the participants will have the opportunity to attend concerts reconstructions that were held Belgrade 1926th and 1936, partly based on unpublished material and archival research.
interwar period is a very prolific time in the history of music when many musical styles and cultures developed and coexisted. As the Western Balkans at the time was incorporated into the framework of one country (the Kingdom of Serbs, Croats and Slovenes, that is. The Kingdom of Yugoslavia) and influenced by European trends, the study of music in social context without the prospect of overcoming the national scientific discourse has proven impossible. In addition, this theme, shared by students throughout the Western Balkans, can be an appropriate starting point for further continuous communication and exchange of knowledge.
structure of the symposium will include two types of presentation: the standard papers and panel discussions. Papers can be read in B / C and in English. Each participant will have 20 minutes for the paper, after which will follow the discussion of 10 minutes. As the issues we are especially indicative:
- The discourse on music in the interwar period
questions of musicological and ethnomusicological, and discourse of music criticism and other discourses on music. The reception of music.
- Music and Musical Institutions
institutions, including educational institutions. Musicians in the institutions of society. The influence of institutions on the production of music.
- Music and politics
place and role of music in the social structures of power. Cultural politics and music.
- Music and Identity
role of music in the construction of national, class, gender and other identities.
- Popular music in the interwar period
- Technology (re) production of music
impact of new technologies on the production and reproduction of music. Music and new media. Music and film.
- Music and everyday life
of music in everyday life. Music and social groups.
panel discussions will be organized on the predetermined subjects, in one of two official languages of the symposium. Each participant will have 50-10 minutes for presentations after which will be followed by discussions led by the moderator. The round tables may participate as students who exhibit the work, and those who are not exposed to one participant can participate in several round tables. The panel discussion will be organized if at least 4 participants. We suggest the following topics:
first Music in the project of creation of the Yugoslav nation (BHS)
second Music and the Axis Powers (English)
influence of Nazism and fascism in interwar Europe music. Music in Nazi Germany and Fascist Italy. Music in the occupied territories in World War II.
third The social context of symphonic music in the Kingdom SHS / Yugoslavia (BCS)
4th Jazz in interwar Europe (English)
spread of jazz in interwar Europe. The political context and interpretations of jazz. Jazz on art music.
If you are interested in participating in our symposium, please send your application (including your personal information - name, affiliation, contact) and abstract (up to 300 words for papers, up to 100 words for each part in the round table). Applications for participation sent to the e-mail address to 30 September 2008. Notice of acceptance will be sent by 15 October. Selected papers will be published in the Proceedings.
sincerely hope you will join us and help us deliver on our symposium!
Srdjan Atanasovski
student project coordinator 
International Student Symposium
Western Balkans Interwar Music and its European context
On behalf of musicology students of the Faculty of Music in Belgrade, it is an honor to invite you to participate in a set of music in the Western Balkans and its European context. The symposium will be held in Belgrade, from 8 to 9 December 2008. Theme of the meeting centered on the questions of music in the Western Balkans, but they are welcome and papers that will help to elucidate its European context. The set is limited to students in musicology, but is open to all students who are engaged in the practice of music and the role of music in culture. The official languages of the symposium will be BCS (Bosnian-Croatian-Serbian) and English.
symposium will be held during the Days of music in the Western Balkans, and the participants will have the opportunity to attend concerts reconstructions that were held Belgrade 1926th and 1936, partly based on unpublished material and archival research.
interwar period is a very prolific time in the history of music when many musical styles and cultures developed and coexisted. As the Western Balkans at the time was incorporated into the framework of one country (the Kingdom of Serbs, Croats and Slovenes, that is. The Kingdom of Yugoslavia) and influenced by European trends, the study of music in social context without the prospect of overcoming the national scientific discourse has proven impossible. In addition, this theme, shared by students throughout the Western Balkans, can be an appropriate starting point for further continuous communication and exchange of knowledge.
structure of the symposium will include two types of presentation: the standard papers and panel discussions. Papers can be read in B / C and in English. Each participant will have 20 minutes for the paper, after which will follow the discussion of 10 minutes. As the issues we are especially indicative:
- The discourse on music in the interwar period
questions of musicological and ethnomusicological, and discourse of music criticism and other discourses on music. The reception of music.
- Music and Musical Institutions
institutions, including educational institutions. Musicians in the institutions of society. The influence of institutions on the production of music.
- Music and politics
place and role of music in the social structures of power. Cultural politics and music.
- Music and Identity
role of music in the construction of national, class, gender and other identities.
- Popular music in the interwar period
- Technology (re) production of music
impact of new technologies on the production and reproduction of music. Music and new media. Music and film.
- Music and everyday life
of music in everyday life. Music and social groups.
panel discussions will be organized on the predetermined subjects, in one of two official languages of the symposium. Each participant will have 50-10 minutes for presentations after which will be followed by discussions led by the moderator. The round tables may participate as students who exhibit the work, and those who are not exposed to one participant can participate in several round tables. The panel discussion will be organized if at least 4 participants. We suggest the following topics:
first Music in the project of creation of the Yugoslav nation (BHS)
second Music and the Axis Powers (English)
influence of Nazism and fascism in interwar Europe music. Music in Nazi Germany and Fascist Italy. Music in the occupied territories in World War II.
third The social context of symphonic music in the Kingdom SHS / Yugoslavia (BCS)
4th Jazz in interwar Europe (English)
spread of jazz in interwar Europe. The political context and interpretations of jazz. Jazz on art music.
If you are interested in participating in our symposium, please send your application (including your personal information - name, affiliation, contact) and abstract (up to 300 words for papers, up to 100 words for each part in the round table). Applications for participation sent to the e-mail address to 30 September 2008. Notice of acceptance will be sent by 15 October. Selected papers will be published in the Proceedings.
sincerely hope you will join us and help us deliver on our symposium!
Srdjan Atanasovski
student project coordinator
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Committees
Student Project Coordinator:
Srdjan Atansovski, musicology student, Faculty of Music Art in Belgrade
coordinator and supervisor: Dr. Dragan Jeremic
-Molnar, Assistant Professor, Faculty of Music Art in Belgrade
Program Committee:
mr Ivana Ilic, Belgrade Vesna
Rozic, Zagreb
Biljana Sreckovic Belgrade
Nina Čalopek, Zagreb
Tjasa Ribizel, Ljubljana
Srdjan Atanasovski, Belgrade
Organizing Committee:
Srdjan Atanasovski
Jelena Gudović
Artistic Committee:
Mr. Goran Marinkovic, associate professor
Harbour Critic student compositions
Bratislav Prokić, student of conducting 
Student Project Coordinator:
Srdjan Atansovski, musicology student, Faculty of Music Art in Belgrade
coordinator and supervisor: Dr. Dragan Jeremic
-Molnar, Assistant Professor, Faculty of Music Art in Belgrade
Program Committee:
mr Ivana Ilic, Belgrade Vesna
Rozic, Zagreb
Biljana Sreckovic Belgrade
Nina Čalopek, Zagreb
Tjasa Ribizel, Ljubljana
Srdjan Atanasovski, Belgrade
Organizing Committee:
Srdjan Atanasovski
Jelena Gudović
Artistic Committee:
Mr. Goran Marinkovic, associate professor
Harbour Critic student compositions
Bratislav Prokić, student of conducting
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